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Reviewed by Amanda Mills

Kate Owen: Not a Proper Girl

Reviewed by Amanda Mills

Kate Owen: Not a Proper Girl

It’s always a treat when an unexpected and affecting album appears, even when that artist has been around for a wee while. Kate Owen’s new album ‘Not a Proper Girl’ is one such delight, recorded at Christchurch’s The Sitting Room with Ben Edwards.

A songwriter for twenty years and a performer for a decade, Lyttleton-based Owen has crafted an album that mixes contemporary production with retro alt-rock sounds – note the propulsive indie-rock of The Void, and the awesomely 80s sounding synth line in the glorious Lover.

‘Not a Proper Girl’ delights.

Owen’s approach is both fearless and timeless, and the album has a rich, lush sound that puts her voice front and centre in the mix. The album blends different styles including rock, acoustic folk, Americana, and balladry, but the connecting factor is Owen’s rich, smooth voice (which at times recalls both PJ Harvey and Jan Hellriegel), and the intelligent, elegant songs that have a world-weary tone to them. 

The album works best when there is a melancholic edge to the melodies and lyrics, highlighted by both the moody, slinky Lullaby, and the darkly Gothic storytelling of Heathen’s Prayer.

‘Not a Proper Girl’ is a sophisticated, introspective and beautifully put together, and places Kate Owen on the map as an artist to watch.