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NewTracks New Artist: Myshaan

NewTracks New Artist: Myshaan

Church provided Myshaan with his first stage. His storming 2023 single Sway and 2024 follow up Carry My Heart have each enjoyed 5M+ Spotify stream numbers, introducing his smooth R&B and Pacific soul sound to audiences across Aotearoa and throughout Samoa, Tonga and Fiji. Brown Skin, a track from the 23-year old’s recently released EP ‘My Love’, was included by NZ On Air Music on their April NewTracks compilation.

What’s your given name? Where are you originally from & where do you live currently?

My name is Myshaan Komene. I’m originally from Hamilton and currently based in Brisbane, Australia.

What instruments do you play?

I primarily use my voice as my main instrument, but I also play guitar and piano, which I use for songwriting and production.

Was any music tuition particularly important in your progress?

A lot of my growth has come from real-world experience rather than formal training. Performing live, serving a mission, and being immersed in Polynesian culture all shaped my musical identity more than any classroom could.

Any other projects that we might know you from?

I’ve released a range of singles across the Pacific, many translated into different island languages. I’ve also performed internationally, including shows in Hawai‘i, Fiji, Utah, and New Zealand, opened for artists like Maoli and Stan Walker, and release alongside my church for the ‘Strive to be’ youth album.

What’s the background to becoming a solo artist?

Music started as early as i can remember, just singing and entering local competitions. Over time, it grew into something bigger as I recognised other Māori talent succeeding on social media. I started recording and releasing music in my late teens because of their example, and since then it’s evolved into a full-time career and calling.

How has your own writing evolved from then to now do you think?

Early on, my writing was more surface-level, focused on feelings but not always depth. Now I’m a lot more intentional. I try to tell real stories, especially ones that reflect love, culture, and identity in a way that feels honest and lasting.

2024 and ’25 were very productive years with single and EP releases. What was going on?

Those years were about building momentum and really finding my sound. I was consistent with releases, collaborating across the Pacific, and learning how to connect music with storytelling and visuals. It was a season of growth and discipline.

What’s been the big career highlight to date?

One of the biggest highlights has been seeing my music connect across different Pacific cultures and languages. Also being able to perform in those islands and build a global audience from something that started so small has been surreal.

What made Brown Skin stand out for you as a single choice?

Brown Skin felt special because it captured something simple but powerful, the love I have for my wife. Instant love and admiration, rooted in culture. It stood out as something people could feel immediately.
The song is about seeing someone for the first time and being completely drawn to them. not just physically, but emotionally and culturally. It’s about appreciating brown beauty in a way that feels genuine and respectful.

What’s your favourite moment, musical or lyrical, of the track?

There’s a moment where everything strips back and the emotion really sits in the vocal. That’s probably my favourite. It feels the most honest.

Who did you record/produce the single with and where? 

The track came together really naturally in the studio with EdyOnTheBeat. We were working closely across the whole project, so there was already a strong creative chemistry there. A lot of it was built off feeling rather than overthinking, and it clicked pretty quickly. We knew early on that it was something special.

What would you like listeners to take away from this song?

I want people to feel seen, especially brown people. It’s about love, appreciation, and recognising beauty in a way that uplifts.

Who else is in your team? 

I work closely with a small creative team including producers, videographers, and collaborators across the Pacific. Distribution is handled through Precise Digital, and I stay pretty hands-on with the creative and marketing side.

Brown Skin is one of six tracks on your February 2026 EP ‘My Love’. What can you tell us about that?

‘My Love’ is a collection of stories around love – different stages, emotions, and perspectives. It blends island sounds with modern influences and reflects both personal experiences and cultural identity.

In what ways was it a step forward on your music path?

It was more intentional and cohesive than anything I’ve done before. The sound, visuals, and storytelling all aligned, and it felt like a clearer statement of who I am as an artist.

Can you name three other local tunes that would fit well on a playlist alongside yours. 

Stan Walker: One Life
Lomez Brown: Stay
Te Wehi: Unaware

Have you previously received NZ On Air funding?

Yes, I’ve had New Music Single funding in 2024 and New Music Single Pasifika in 2024 and 2025. Recent funding has supported my EP, including Brown Skin.

Have you got any advice around seeking funding for others starting out?

Be clear on your vision and your plan. Be intentional and plan.

Are there any musical blogs, Youtube channels or podcasts you’re into?

Every night I lay in bed and watch hours of country music videos. I can draw so much inspo from them.

How can we find you on social media?

Instagram
TikTok
YouTube

Who did you make the music video with?

The video was created with Christian Tjandrawinata, alongside a group of close friends from Hawai’i. It was a really special experience having them be part of it, not just as extras, but as people who genuinely brought the right energy and connection to the story. It made the whole shoot feel authentic and fun, which really comes through on screen.

Any last words?

I just want to say thank you to everyone supporting the music. This is bigger than me, it’s about representing where we come from and sharing that with the world.