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28/03/2022

Fresh Talent: Samantha Josephine

In her recently released EP, ‘Fly Bird Fly’, Ōtautahi-based singer-songwriter Samantha (Josephine) Adams explores the ...

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23/02/2022

Missy: Major To Minor & 
Much In-Between

Missy first emerged in 2018 with a darkly enigmatic brand of electronic pop which incorporated traces of classical influences. ...

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17/02/2022

Hollie Smith: Orchestral Manoeuvres From The Dark

Entering her third decade as an artist, Hollie Smith has reached a stage from where her major label promotions folk happily ...

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16/02/2022

Finding Your Voice: The Case For Creative High-performance Psychology

The case for creative high-performance psychology. In the merry Music Month of May 2021, Brave Caitlin Smith’s Imaginary ...

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14/02/2022

Fresh Talent: James Hunter

Having released a pair of EPs (‘Last Little While’ and ‘You’) over the Covid period of 2020/21, alternative folk ...

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09/02/2022

Ex-Pat Files: Baynk

Kiwi-born electronic/dance producer Baynk has been playing away from these shores for more than five years, cutting his own ...

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08/02/2022

Fleabite: Itching To Make More Kids Music

Kiwi children’s music composer Robin Nathan recently posted a blog titled Celebrating 10 Years of fleaBITE, which provided ...

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02/02/2022

Deep Thinking: Weather Report’s Teen Town (Part 2)

Admittedly it's been a while now, but in the last NZM issue we tackled one of Jaco Pastorius’ compositions for Weather ...

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01/02/2022

Review: Sennheiser EW-D 835 Digital Wireless Mic System

I still remember a brief conversation I had with my dad about Sennheiser back in my early years as a musician, in which he ...

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