09/03/2022
Lately it seems, the whole world is abuzz talking about NFTs and how they are going to change the world for artists across ...
READ MORE >21/02/2022
Many guitar players tend to overlook simple licks or riffs that come their way, not knowing that there is a lot of musical ...
READ MORE >16/02/2022
The case for creative high-performance psychology. In the merry Music Month of May 2021, Brave Caitlin Smith’s Imaginary ...
READ MORE >02/02/2022
Admittedly it's been a while now, but in the last NZM issue we tackled one of Jaco Pastorius’ compositions for Weather ...
READ MORE >13/12/2021
Keyboard specialist (now iPad music production enthusiast) Alan Brown has contributed a variety of informed and informative ...
READ MORE >28/07/2021
As a singer our body is our instrument. We must be entirely sovereign over how we take care of our inner landscape. If the ...
READ MORE >14/07/2021
This issue’s piece is a bit of a tough hombre. (See that, I used Spanish, not bad for a bassist!) I have transcribed one ...
READ MORE >15/06/2021
Rosé, hyperreality, harmony and the pop-drop. The term hyperreality was coined by French theorist Jean Baudrillard to describe ...
READ MORE >15/06/2021
Ableton Live has long established its credibility as a powerhouse of a digital audio workstation (DAW), especially in the ...
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